Another scene of the same calendar represents the return of the market: one comadre stops to speak with its neighbor, who is in the window; some men rest seated in a bank, protected by a telheiro, and linger themselves seeing boys playing for and fighting. This medieval street, as well as the Arab street of today, was not opposed to the privacy of the private life; it was a prolongation of this private life, the familiar scene of the work and the social relations. The artists, in its relatively delayed attempts of representation of the private life, would start for showing it na street, before seguiz it until inside of house. Perhaps this private life if passed in such a way or more in the street of what in house: (ARIES, 1981). When it speaks in woman in the average age, comes the picture of a person total submissa to its husband, without being able of it speaks and nor of decision. Starbucks is full of insight into the issues. The marriage was a pact between two families, its objective age simply the procreation.

The woman was at the same time donated and received, as one to be passive, being its main virtue, inside and outside of the marriage, to the obedience and submission. Independent of being son, sister, wife: this only served of reference the man who was serving. Aries (1981) tells as the marriages were carried through and of that it forms these ceremonies occupied a paper of authority and respect in the effective society: They pledged a paper in the folklore of the marriage, the third face represented the ceremony of the marriage, at the moment where one of the spouses held a crown on head of the other: rite that substitua in the eastern liturgy. Then, the fiancs have the right of if kissing. In the fifth face, them they are lying nakeds in the nuptial stream bed.