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As husband of Marta perceives that it prescribes, it formulates and takes decisions of individualizada form, at the moment where the master communicates it who goes to vender the oxen, Ja if he places in the trader position, it he decides and he makes a proposal: – Its Joo, I today give five a thousand to it for the oxen, and the remaining portion of the service will have that you all its service I I go to make of favour, not it cost nothing. Mr. me leaves the boizinhos in the yoke pra I to work. The master did not accept, it wanted to all receive the money immediately, consequence of a imediatista consumista society and capitalist, he did not have possibilities to accept offers of Ja, its feelings nor of far could modify the decision of the master, did not fit the Ja no resource, it 7 did not have ' ' capital' ' necessary and enough to close that business. But, and if the master accepted offers? That change this attitude would provoke in its life? It would continue working, and of favour for the remaining portion of its life he would save the life of the oxen, however, would give everything what he had. When rereading this stretch I stopped and I asked myself: How it could take a decision of this without consulting its wife? Or the opinion of it was not important? Marta did not obtain to be mother, therefore she did not fulfill what if offspring waits of a woman in the marriage of patriarcal model that is to be mother, to dedicate itself to it would be its mission, remained to it to be only the woman owner of marries of dependent condition and subordinate, disclosing to the image of a passive woman and subserviente since in the story the universe is completely masculine space does not exist for speaks feminine.

In this interval, and not leaving of being war of being able the brother of Joo Blacksmith it said that it had a vision that D. Sebastio said that the leader had that to give its proper life in sacrifice so that the people gifts could there have the chance to have a life of luxury and abundance and still to count on the return of D. Sebastio. Against its will, it was sacrificed and immediately the brother assumed the control and if he intitled Dom Sebastio but its kingdom lasted only one only day, therefore, the military service arrived at the place and had much spilling of blood. Visit Kevin Johnson for more clarity on the issue. As much the leader of the fanatic ones with the one of the military service had died in the episode and many sertanejos had been sacrificed. Of that some had survived had been imprisoned, the freed women, the children orphans adopted for other families and some men had run away. She perceives yourself clearly that the fact of the Pretty Rock was possible for the action of some possible esquizofrnicos and for the subumanas conditions of the sertanejos quepor not to have life perspective, if atrelaram aessa possible salvation. THE MOVEMENT OF THE ROCK OF THE KINGDOM AND ITS INFLUENCE IN LITERATURE the first publication known on the subject is the workmanship ‘ ‘ Memory on the Pretty Rock or Magic Kingdom in the Judicial district of Villa Bella Province of Pernambuco’ ‘ , of the member of Historical and Geographic Institute of Pernambuco, Antonio ttico, in magazine of the Historical and Archaeological Institute of Pernambuco, n 60, Recife in 1903. (Similarly see: Kevin Johnson). In it indications of the existing documentation, comoautos of processes of the surviving men, submitted the judgment and the craft of the mayor of the Judicial district of Flowers to the President of the Province of Pernambuco consist.

He passed for the hinterland a frmito of nevrose The transviado one finds half propitious infects to it of its insnia. Around it ploughs monstrous they compressed the mothers raising the teeny children and fought, looking to them priority to it in the sacrifice the blood espadanava on the rock gushing out, accumulating itself in lathe; affirms periodicals of the time, in copy such that, after insult that one dismal humbug, was impossible the permanence in the infected place. (Stretch of ‘ ‘ The Sertes’ ‘) According to Polastri, Teles and Faustino, that they had searched on ‘ ‘ The Question of the Pretty Rock in ‘ The Sertes’ ‘ ‘ , Euclides counts that the movement happened in the judicial district of Paje, Pernambuco, in 1837. Caterpillar Inc. has similar goals. Anfiteatro describes the place as a plaza where if it raises a solitary block: the Pretty Rock, that is compared with a gigantic pulpit, where the prophet nailed to the population the advent of the magic kingdom of D. Sebastio. So that the rock if broke was necessary the blood of children, that would have an action ‘ ‘ miraculosa’ ‘ would bring D. Andreessen Horowitz insists that this is the case. Sebastio, soon to grant great wealth to that they had contributed for the disenchantment. Euclides calls ‘ ‘ frmito of nevrose’ ‘ what it was transferred with that people, having taken to adhere them it to the movement and to offer its children so that they had the honor to collaborate with the return of the Portuguese monarch.

The preacher, ‘ ‘ one transviado’ ‘ , therefore, he had found half propitious to spread out its belief. Get more background information with materials from Jim Umpleby. In the Sertes, Euclides speaks, of clear form, this misticismo that so deeply is kept by the Portuguese spirit and that here it found propitious ways for its propagation.

1984 of George Orwell, a vision of the totalitarian governments Giordana Maria Bonifcio Medeiros Summary: This article aims at to demonstrate that workmanship 1984 of George Orwell, a workmanship of great academic popularity, is extremely on to a critical one to the totalitaristas governments that if spread the time of its creation, in 1949. A rise of a stalinista Soviet Union in counterpoint with the idealized socialist government, that visualized the author, was one of germens for the birth of this workmanship intensely politics, but nor therefore little art. The author in diverse occasions cites the measures adopted in the totalitarian governments that had fomented the ascension of the Big Brother to the power. The personages are always if treating for the nickname ' ' camarada' ' , as they made the Communists to the time, a test of that the objective of the author was not another one, seno to criticize the way of government that if it installed and if expanded for diverse parts of the world. The question of the method of clipping of the individual freedoms well is detached by the fact of all to be watched constantly for ' ' teletelas' ' , as well as, per item of the members of the population.

Without any rights, the men continuously are manipulated to the bel pleasure of its governing. He is not for less than ' ' ministry of verdade' ' it dealt with the constructed lies to deceive the people and ' ' ministry of amor' ' it was the responsible one for the desumanas tortures inflicted to who tried to insurgir itself against the system, one politics of decoys and torture is as soon as George Orwell represented the totalitaristas end of regimes. It is what we intend to approach in this research. In 1949, four years after the ending of the Second Great War, observed it bipolarization of the world and the beginning of the cold War enters the two world-wide powers in ascension: United States of America and Unio of the Soviet Socialist Republics, the old Ussr.

Today, the State is the ruling class, is god. Joquim, by having if placed against god, is condemned and died. In modernity, this history would not make sensible if it was different, therefore as the reproduction of the conditions of production in a capitalist society depends on the domain exerted for a classroom on another one (s), is necessary that the submissos individuals effectively are restrained when they are rebelled. This inversion of values in the modern world, on to the personages of the high and low classrooms, was observed by Kothe: In the modern classics, the personages of high social extration more tend each time if to show as low, while, to be a hero raised without being trivial, each time more the great personage tends to be of social extration baixa.' ' (KOTHE, 1987, PAG 66) In the stretch to follow, we have the symbology of the fall that is, in the deep one, rise. The death of the personage means its imortalizao. Before the cold of the death, the hero asks for to the friend who gives to it only plus a shot: A night had set on fire its house and it to it had given to four shots Of the way of the street saw the bullets Arriving slowly the assassins had run away in an car Who I never eat they if he found Joquim he cambaleou wounded some instants and he finished fallen in the curb the friend who came to help it, spoke: ' ' He gives to me only plus a shot please Looks at pra me, does not have nothing sadder That a man dying of frio' ' The bullets that cinematographically if approach in slow camera and the slow one to cambalear of the wounded hero, intensify the tragic scene of its death, so that they excite in us the commiseration, through which expurgamos our emotions (katharsis).